This week on WotC's site, the topics of discussion are Save or Die traps/monster abilities and Deadly Dice (the lethality of the game mechanics in general and whether character death is a good or bad thing). We'll start with the first topic, raised by Mike Mearls.
First, a bit of context (Following quotes are from Mike Mearls):
First, to give you some insight into where I'm coming from, I take the idea of approaching the entirety of D&D's history very seriously. I'm about to start a new D&D campaign at the office, and I'm using the 1981 basic D&D rules as a starting point. As I plan the campaign and (eventually) run adventures, I plan on making house rules, adopting rules from other editions, and shifting the rules to match how the game moves along. In some ways, it's a reality check against the ideas I see proposed for the next iteration. Would I want them in my campaign? Do they work for my group?He takes the task of understanding old school D&D so seriously that he intends to house rule and "frankenstein" the rules from day one, to create something that works for his group? That's fine and dandy for tailoring the game to your group, but it does almost nothing to advance an understanding of the old school game and what makes it special and unique. To me this is just more rulebook dropping to try and appeal to old school gamers who've abandoned more recent versions of the game, but anyway...
If you came to D&D with 4th Edition, you might not have heard someone say "save or die." It dates back to the earliest days of the game, where some traps, monster attacks, and spells required a successful saving throw or the hapless target was instantly killed, turned to stone, reduced to a pile of dust, and so forth.I think this description of Save or Die (SoD) effects in the game is fairly simplistic, and overlooks one major component of a successful game; a good DM. While yes, the rules as written do provide for the scenarios that Mike mentions, I think a big assumption on the part of the designers was that a) players were playing their characters cautiously, with an almost paranoid approach to exploring, searching for traps, engaging new and mysterious monsters, etc. A good DM will reward this type of play and allow the careful player to usually avoid having to make that dreaded SoD die roll in the first place.
The save or die effect represents an interesting point in D&D mechanics. On one hand, fighting a critter with a save or die attack is tense and exciting. Or at least, it can be. A good DM makes a fight like this into something that can grow into a gaming legend over the years. Players will remember how their characters valiantly fended off attacks and either hoped for lucky rolls or came up with a cunning plan to defeat or avoid the critter.
On the other hand, the save or die mechanic can be incredibly boring. With a few dice rolls, the evening could screech to a halt as the vagaries of luck wipe out the party. A save or die situation can also cause a cascade effect. Once the fighter drops, the rest of the party's inferior AC and saving throws can lead to a TPK.
A thief who meticulously checks for traps before opening doors and chests, charging brazenly down a hallway or prying dust covered treasures from their resting places will have a very good chance of avoiding the SoD situation. A fair DM might even grant a small bonus to the save if it ends up being required if the PC has taken proper or extraordinary precautions.
Likewise, a party that carefully approaches impending combat can often pick up clues to the nature of deadly attack forms. Take the medusa as an example, her gaze means certain "death" for a low level party unequipped to reverse petrification. However, in almost all medusa encounters I've seen published in adventures, she doesn't charge out to attack without warning. The party gets a brief chance to observe her lair, noting the "exquisitely carved" statues of humans, demihumans and humanoids with looks of abject fear on their faces. Medusa lore isn't all that obscure, and observant players should expect something nasty. If the DM follows up with a first glimpse of the medusa herself in the form of a shadow or reflection she casts that is visible by the PCs, even better. Perseus knew the legend, we can assume similar folklore exists in a fantasy world regarding such a terrible beast and give the PCs a chance to know and act on what they've heard as bedtime tales as kids.
Mike goes on to comment in a generic sense on the pros and cons of SoD mechanics, and offer a "fix", where PCs with high hit point totals can avoid instand death and, I assume, just take some damage. Sounds good, except that it punishes low low characters and fixes nothing. High level PCs have access to Stone to Flesh, Remove Paralysis, and even Raise Dead type magics. They do not need protection from instant death mechanics. If you're opposed to instant death, SoD type situations, just remove them, don't reinforce the problem with a well intention but ineffective band aid.
Monte Cook's column on Deadly Dice, the lethality of the game, segues from Mike's discussion into a more general discussion of how deadly the game should be, or whether PC death should factor into the game at all.
The play-by-the-rules level of lethality in the game has changed a lot over the years. The general trend has been to make the game less lethal overall, although an argument could be made that the game has become slightly more lethal at the higher levels since it was more common to end up with an unkillable (unchallengeable) character at the upper levels in older editions.This is really a non-point. Most, if not all lamentations of the lethality of the game are focused on low level characters. 1st to 3rd level characters in Classic D&D or AD&D 1st edition can be, as Monte goes on to note, a dime a dozen. Death waits around every corner, and making it to middle and high levels is an accomplishment.
I remember way back in the earliest days of the game how someone told me that people didn’t even bother naming their characters in their campaign until 2nd level because there was so little chance that a 1st-level character would survive. As silly as that might sound, the feeling of accomplishment at surviving such a lethal game, even for a little while, must have been great.Exactly! It does feel great. In the first campaign I played in, a typical dungeon crawl in the Caves of Chaos, the minotaur and owlbear caves vexed us. Our party of 4 players, no henchmen, went through a total of 14 characters before we bested both foes, with my thief PC being the sole survivor when the minotaur finally fell! I'll remember that win for as long as I play the game! When death is not only possible, but fairly likely, surviving and conquering the challenges is a big deal.
Of course, one could argue that the D&D game isn’t about feelings of accomplishment. It’s about creating characters and developing fantasy stories. Characters perhaps shouldn’t die unless circumstances dictate it, rather than when the dice go against them.I don't buy this argument one bit. I love story and role playing as much as anyone. Heck, I probably put a lot more value in it that most other old school and "OSR" players do. But, here's the BIG POINT, the story evolves as the game unfolds. The game does not get twisted and bent out of shape to cater to whatever amateur novella I'm trying to pass off on my players as the new campaign.
Besides, this is heroic swords and sorcery fantasy. Death is every much a part of the story as life and victory. Death snatched Thorin Oakenshield from the seat of victory. Boromir fell, giving his companions more focus and motivation. Sirius Black and Obi Wan Kenobi died, inspiring their proteges to buck up, face their fates and conquer evil. If there is no death, or at least no real chance of death, you aren't playing a game, you're not even really telling a story, you're just mentally masturbating about how cool and powerful and untouchable your pet character is. Put the dice down and start a D&D fanfic blog!
(1) They've been demo'ing and playtesting the new game since at least December. I refuse to buy into the idea that they are still at the "tossing ideas around, nothing to see yet" phase of game design. It's been part of their ruse to hook disgruntled players into thinking they have a voice at the design table since they first announced the new edition. I didn't buy it then. I don't now.